Jean Baptiste Camille Corot
1796-1875
Corot Locations
French painter, draughtsman and printmaker.
After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed. Related Paintings of Jean Baptiste Camille Corot :. | Le Mont Soracte (mk11) | Woman in Blue (mk09) | Villeneuve-les-Avignon (mk11) | La superieure du couvent des Annonciades de Boulogne-sur-Mcr Vers (mk11) | Farmhouse in Normandy | Related Artists: Bourel AristideDunkerque 1840-Sartrouville 1924 Benjamin West ClinedinstIllustrator and Painter.
American , 1859-1931
was an American illustrator and painter, born at Woodstock, Va. He studied for a year in Baltimore and for five years in Paris under Cabanel and Bonnat and first attracted attention in New York with his illustrations for Leslie's Weekly. He was best known as the illustrator of Thomas Nelson Page's Unc' Edinburg, the works of Hawthorne, Stevenson, and Mark Twain, although he worked also in oils and water colors. His sympathetic collaboration with the author gave his work an especial charm. He was awarded the Evans prize of the American Water-Color Society in 1900. In 1947. Peter Jakob Horemanspainted Portrait of Clemens August as Falconer in 18th century
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